Often called the Walt Disney of Japan(actually he hates this title), manga artist and animator Hayao Miyazaki creates gorgeous and bewitching ) animated movies, whose power hinges ) on the drawings rather than the story—but that’s not to say his stories aren’t also brilliant
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He begins making his films by building wire frames ) and the stories develop as the drawings progress. The director admits in an interview that it’s a “dangerous way to work”, but alas, it’s a technique that has brought him great success. He prefers hand-drawing his animations, though he has experimented with CGI and digital paint beginning with 1997’s Princes Mononoke
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He prefers to call himself a true manga artist, rather than a storyteller, as he only became interested in animation after watching films like Taiji Yabushita’s The Tale of the White Serpent and a Russian animated version of Hans Christian Andersen’s The Snow Queen.
Formally trained in political science and economics, Miyazaki started his animation career at Toei Animation and A Pro, before founding Studio Ghibli ) in 1985 with director Isao Takahata and producer Toshio Suzuki. Walt Disney Pictures eventually signed a deal with Studio Ghibli in order to introduce Miyazaki’s films to Western audiences
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